Austrian pianist Till Fellner’s international career was launched in 1993 when he won First Prize at the renowned Clara Haskil Competition in Vevey, Switzerland. Over a period of more than two decades, he has become a sought-after guest with many of the world’s most important orchestras and at the major music centres of Europe, USA and Japan, as well as numerous festivals.
Last season Till Fellner made his highly acclaimed debut with the Berlin Philharmonic, under the baton of Bernard Haitink. Other highlights included concerts with NHK Symphony Orchestra/Herbert Blomstedt, Chicago Symphony Orchestra/Bernard Haitink, Academy of St Martin in the Fields/Sir Neville Marriner, Orchestre de Paris/Herbert Blomstedt, and Mahler Chamber Orchestra/Manfred Honeck.
Besides recitals in numerous metropolises Till Fellner in 2016-17 amongst others will perform with Deutsches Sinfonie-Orchester Berlin/Kent Nagano, Konzerthausorchester Berlin/Ivan Fischer, Pittsburgh Symphony Orchestra/Manfred Honeck, Montreal Symphony Orchestra/Kent Nagano, and Philharmonia Orchestra London /Christoph von Dohnányi.
Till Fellner has collaborated with Claudio Abbado, Vladimir Ashkenazy, Semyon Bychkov, Christoph von Dohnányi, Nikolaus Harnoncourt, Sir Charles Mackerras, Kurt Masur, Kent Nagano, Jonathan Nott, Kirill Petrenko, Claudius Traunfellner, and Hans Zender, among many others.
In the field of chamber music Till Fellner regularly collaborates with British tenor Mark Padmore, with whom he premiered a composition by Hans Zender in 2016 and with whom he will tour Japan in February 2017. Further he regularely performs with the Belcea Quartet.
Over the past few years he has dedicated himself to two milestones of the piano repertoire: the Well-Tempered Clavier of Johann Sebastian Bach and the 32 piano sonatas of Ludwig van Beethoven. He performed the Beethoven cycle from 2008 to 2010 in New York, Washington, Tokyo, London, Paris and Vienna. Furthermore contemporary music is of great importance to him; he has given the world premieres of works by Kit Armstrong, Harrison Birtwistle, Thomas Larcher, and Alexander Stankovski. In 2012 Till Fellner withdrew from performing for a year to devote himself to the study of new repertoire and to deepen his knowledge of composition, literature and film.
The ECM label, for whom Till Fellner is an exclusive recording artist, has released the First Book of the Well-Tempered Clavier and the Two & Three-Part Inventions of J. S. Bach, Beethoven’s Piano Concertos Nos. 4 & 5 with the Montreal Symphony Orchestra and Kent Nagano and, most recently, a CD of chamber music by Harrison Birtwistle. In autumn 2016 Alpha Classics released the recording of the piano quintet by J. Brahms with the Belcea Quartet, this recording received the “Diapason d’Or 2016”.
In his native Vienna, Till Fellner studied with Helene Sedo-Stadler before going on to study privately with Alfred Brendel, Meira Farkas, Oleg Maisenberg, and Claus-Christian Schuster.
Since autumn 2013, Till Fellner has been engaged to teach a small circle of students at the Zurich Hochschule der Künste.